lots of whistling're usually more of a bad sign. A mass of people who channeled their emotions into a deafening noise that can actually mean anything good. On Tuesday evening there was in the track 22, a chorus of whistles, which has washed up - but was this, that's for sure, an expression of sheer enthusiasm. How could you be unhappy, after such a concert?
because of the euphoria, the British soul singer Alice Russell. And this must be added to mandatory in this case, their great band. Completely wrong in the shadow of young, great soul ladies like Duffy, Amy Winehouse and Joss Stone, the young British woman is among connoisseurs for more than one of the most important voices in modern soul and funk music. Their influences range from audible Minnie Riperton on Aretha Franklin to Jill Scott, her hefty and soulful, while wonderfully clear voice is always a balance between lasciviousness, Power and naive insouciance, its extremely confident, cheeky stage presence has long been the trademark - all adds up to a concert with Miss Russell to experience second to none.
Not only that their own pieces before groove and soul are bursting, she also manages to impose a cover song her own trademark: the old White Stripes-popular song "Seven Nation Army" sounded never been so sexy as here. And that's not all - as indeed is also the wonderful band, without which both Russell and the audience would have only half as much fun. And her boys not only look good (in the black Pailettenkleid Russell, the band uniform White - "Dressed To Impress" is not only the addition but also the motto of the evening), but to steal their spontaneous dancing and other antics not only once, almost the show. But only almost, finally, is also Russell's Robot Dance-not bad.
Apropos Show: When the band collectively goes down and the dead makes man remains Miss Russell and looked down on them - a well-choreographed, self-confident statement: The woman is in a class by itself and the men are on the ground to their feet. How could they be otherwise?
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