Friday, November 20, 2009

Fibromyalgia & Brachial Neuritis

mission 18.11.2009

Here is the playlist for small Boom Bap excursion:

01 ADOR - Let It All Hang Out
feat Lord Finesse 02. KRS One & OC - Brainstorm
2003 feat KRS One. Das EFX - Represent The Real Hip Hop
04 Organized Konfusion - Confrontations
2005 Big Pun feat. Fat Joe - Twinz
06 Artifacts - The Ultimate (Showbiz Remix) feat
07 Show & AG. KRS One & Big Pun - Drop It Heavy
08 Brand Nubian - Straight Outta Now Rule
09 Pete Rock & Deda - Can not Wait
10 INI - Square One
11 Pete Rock & Deda - Nasty Scene
12 Tame One - Concerto
13 Artifacts - Wrong Side Of The Tracks

missed shipment? Here!

Tuesday, November 17, 2009

Chennai Airtel Telephone Directory

broadcast of 04.11.2009

Austria A small Special:

Waxolutionists feat in 2001. Ty - Roll With The Punches 02 Waxolutionists
feat. Hygher Baby - Flashlight feat
03 Waxolutionists. LyricL & Andrea Clark - Journey
Apollo Gold 2004 - Apollo 05 Apollo's Theme
Gold - 400 PS
Manuva feat in 2006. Deph Joe - Emily
07 Waxolutionists feat. Blu - Steel Remains
Waxolutionists feat in 2008. Rusty Redenbacher - Take This Job
Waxolutionists feat in 2009. Blade - Get The Picture 10 Waxolutionists
feat. Backbone - Slangdunk
11 Waxolutionists feat. Schoolz Of Thought - Wrecka Stow
12 Apollo Gold - Lady Butterfly
13 Apollo Gold - Clutch problems
14 Total Chaos - the main thing

hear? Here!

Wednesday, November 11, 2009

Spunk Tastes Like Fish

Alice Russell in the track 22 in

lots of whistling're usually more of a bad sign. A mass of people who channeled their emotions into a deafening noise that can actually mean anything good. On Tuesday evening there was in the track 22, a chorus of whistles, which has washed up - but was this, that's for sure, an expression of sheer enthusiasm. How could you be unhappy, after such a concert?


because of the euphoria, the British soul singer Alice Russell. And this must be added to mandatory in this case, their great band. Completely wrong in the shadow of young, great soul ladies like Duffy, Amy Winehouse and Joss Stone, the young British woman is among connoisseurs for more than one of the most important voices in modern soul and funk music. Their influences range from audible Minnie Riperton on Aretha Franklin to Jill Scott, her hefty and soulful, while wonderfully clear voice is always a balance between lasciviousness, Power and naive insouciance, its extremely confident, cheeky stage presence has long been the trademark - all adds up to a concert with Miss Russell to experience second to none.


Not only that their own pieces before groove and soul are bursting, she also manages to impose a cover song her own trademark: the old White Stripes-popular song "Seven Nation Army" sounded never been so sexy as here. And that's not all - as indeed is also the wonderful band, without which both Russell and the audience would have only half as much fun. And her boys not only look good (in the black Pailettenkleid Russell, the band uniform White - "Dressed To Impress" is not only the addition but also the motto of the evening), but to steal their spontaneous dancing and other antics not only once, almost the show. But only almost, finally, is also Russell's Robot Dance-not bad.


Apropos Show: When the band collectively goes down and the dead makes man remains Miss Russell and looked down on them - a well-choreographed, self-confident statement: The woman is in a class by itself and the men are on the ground to their feet. How could they be otherwise?











Sunday, November 8, 2009

How Can I Reinstall My Sound Device

Marteria Skaters Palace

that there are still people like Marten Laciny. The 26-year Rostock has made much in his life was in the squad of the U-17 national team and model in the U.S.. But his heart is one of rap music - fortunately, for a time to stay in the German hip hop scene, the innovation on the track threatens Laciny comes around the corner and breathes new life into the game.


Whether as a crazy Marsimoto with hochgepitchter helium voice or Marteria with a deep baritone ("the German Syncrhonstimme of Jesus") - makes on his three albums of the Rostock much different and much better than their counterparts from Rap-Germany. Now he's with the Band Of Brothers on tour to be subversive work and live to continue - on Friday evening he was in Münster Skaters Palace a guest.


The direction is formulated at the beginning of the show in the rhetorical question: "Did you stand on the Bassline" And without an answer to wait and release the bass rumble, grim and evil, synthetically distorted. This provides a didgeridoo for the swirling undercurrent that will determine in the next 90 minutes of action. In search of musical references will be most find it best in gloomy London's underground clubs: what is there with shooting star Dizzee Rascal took its beginning and was hailed as "Grime" a new hip, Marteria translated into German - the ferocious, bass-heavy electronic boards have to the common aesthetic rules in the German hip hop is not much to do.


much the better, because the show pretty much surpasses everything you could expect up to now a hip hop concert. stop trips to the Chemical Brothers and Fatboy Slim garnish the grand trip into the low frequency ranges, it is teeming with threatening paranoid-bass lines and punchy beats, is impossible. Marteria and his band go to their limits, the audience will reward them with ecstatic joy, and when Marteria attaches to the stage diving and attacks on the hands of the fans after the big disco ball, which is also a symbolic picture - a great party!


Jesse Jane Loaded Stream

The Golden Lemon in the track 22

A night forest on the video screen, the trees in the foreground illuminated brightly behind it unfathomable depth. Peel figures from the dark, go past the viewer from the picture, some pushing bicycles. This is a simple, rich synth bass line, indefinable percussion, claiming strumming and rattling the bumpy beat, gloomy mood. End of the first piece.


then goes on behind the video screen, a light, out of focus is the face of Schorsch Kamerun seen. The percussion kicks off, bass and synth a share, Cameroon begins a text to read. Prose, or whatever it is called now? Spoken Word in the No Wave-gown, avant punk, noise rock discourse, writing about associative dissonance?


It is Wednesday evening in the track 22, the Golden Lemon have come to their new album "The Origin of the Night" initiative. should we deal with expectations in the "Goldi" cautious - is the beer-soaked punk songs from the early days of the Hamburg not much left, the leather jackets they have long lost: It is clear. Instead, they wear bizarre costumes: Cameroon silk robe-esoteric, bassist Thomas Wenzel wearing a turban, drummer Enno with red devil ears and pumping arms - the slogan "Forever Punk" is indeed still, but now more as an intellectual denial in dress, words and music. There are still slogans and criticism of the system, it is about contradictions, discomfort, reflections of the consumer society and to escape from the world - "still an option," such as Cameroon emphasized.


sounds Accordingly, the music, a mixture of Kakophone Punk, Wave, Noise Rock, feedback, fiepsend-dissonant keyboards, analog synthesizers and strange recorders. You can lose now in interpretation attempts to dissect and interpret the texts - the "Goldi" is probably not much care. They are long beyond drawers and meaning assignments, as most references are good they own. There are texts in Cameroon, discover, of course, a lot!


But even those who simply gets involved only on the effect of music, everything right: the noise, allowing the happy dissonance of the fun thing about the deconstruction of harmony - it was so rare compelling as in the Golden Lemon.



How To Cover A Tooth At Home

Randy Hansen Jovel - Jimi Hendrix Reloaded





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Addendum - Patrick Wolf in the track 22


girls screaming hysterically and are out to rip guys excited hands dancing in the air and so good it just goes in the narrow space. It is hot, the crowd is large, the flashes of digital cameras are in continuous use. Punks in the audience, among young female students with a handbag, here and there stands out a glittering, gaudy fashion relic from the eighties from the set - rarely is the audience in the track 22 so as mixed on Tuesday night.

Responsible for the crowds and the enthusiasm of the barely 26-year-old Patrick Wolf. In his early years he already has four albums on the account and has long acted as a true successor to David Bowie. Its interaction with ambiguous sexual roles, the eccentric musical versatility and self-presentation has internalized Wolf and revived. For his new album he first worked with other musicians accompanying him on tour a four-piece band.

But on stage he is the absolute center of his musicians and not as servants. He repeatedly tells the mixer, adjust the volume minimal - Wolf is a perfectionist in every detail, and he mastered the art of the perfect staging: Exotic painted, striped with black plastic cape and feather boas does he takes his place in center stage, and raises his arms imploringly. Impressive his deep voice, his eyes sad, his theatrical gestures - all eyes are now focused on him.

But the sublime preacher is only one of his many roles in the following 90 minutes concert Wolf plays the glam-rockers as mighty as the sensitive Barden, is at times vulnerable and introverted, and sometimes as eccentric limelight. His music combines the Synthpop and the aesthetics of the 80s with heavy metal and hard rock, is the stomping dance beats of "Vulture" as much a privilege as the naive pop of "Magic Position".

Patrick Wolf moves so skillfully beyond genre and taste boundaries and unites all the apparent contradictions to his music and his person, dazzling picture of an eccentric pop star, a fictional character beyond the standard, which can not set themselves musically, stylistically and sexually.