Declaime & Georgia Anne Muldrow - SomeOthaShip 
slides somewhere in the universe, the hip hop mother ship through space and time. Close by, in the shadow, hovers a different, strange ship. As it is, is not known. That is why it is called simply "SomeOthaShip. The inmates are from the planet Stones Throw, where life goes on, especially in smoky cellars between analog instruments, samplers, and obscure old, dusty disks.
Declaime Georgia Anne Muldrow and draw the box on her journey through the parallel universe, and they have guests on board. Together with an illustrious group of highly capable guest rappers these days, they bring us the latest litter from the Stones Throw camp. Connoisseurs will nod knowingly at the first track, all others need more than three minutes to get into the vibe, so characteristic of become for the California label. About the producer Madlib and favorite of the house has also left its traces, even if he does not himself appear. Most of the production goes instead to the account of Georgia Anne Muldrow, the first lady of Stones Throw Brigade, and has done its homework. Thick, bubbling bass lines, funk and jazz websites en masse, bumpy, slightly distorted drums, and a good dose of stoner vibe dominate the board. The guest producers Black Milk, and Flying Lotus Oddissee lined up there, what a surprise, perfectly. Feel-good music, then for friends of the genre.
These raps and sings Georgia Anne, during his usual smoky Declaime Wisdom for the good is that here are again one or another conspiracy theory is not averse. You have to like him, his body quäkiges to rap his rough way, but who finds the good, you get world-class Declaime lining. The rest can be content with the further undeniable qualities of the plate. And there are enough cameos from very talented colleagues: Kazi, Medaphoar, Rapper Big Pooh, Prince Po, Kool G Rap, LMNO, Black Milk - all can show what and that, too.
Above all, however, marched prodigy Muldrow that convinces all along the line, whether behind the mic or on the producer side. Kopfnickerbeats with traditionalist, melancholic piano samples as in "Connect Game" it can just as the slow-motion funk of "Get Up GoGo". The infinitely relaxed "Endure" comes to a West Coast-synth of the old school, therefore, would have been the Dr. Dre then good, the great "Heaven or Hell" builds with its minimalist percussive beat on a pleasantly menacing mood. Here are the vocals on point, LMNO of the Visionaries has an excellent cameo, Black Milk and old school legend Kool G Rap hit well in, and Muldrow delivers extremely well.
With "Boogie" there's still a serving of empowerment, no matter how bad it is now, whether rents and the taxes are increased, because there's the radio for free Declaime and Muldrow: "I can make you boogie, if you want me to" promise. And at the very end, after 45 minutes of slow motion verkifftem radio and a good portion Kopfnickerbeats, Declaime says the blessing over the passengers of the SomeOthaShip: "May the funk set you free! May you be all you can be! May you be a better you, let the light shine through and through! "Word.
She is the ruler of Mount Olympus on the guitar, the first woman in the history of "Rolling Stone Magazine, the in the list of greatest guitarists of all time recorded was. A male domain in which she claims to law - in fact, their game looks like him, but it is when Kaki King on the stage indicated, first of all no evidence of her great talent. Is small and almost insignificant it seems. Simply dressed, no frills, no trace of extravagance, reserved and modest. 
But whenever she gets going, all modesty is forgotten, swept away as by the indomitable energy with which she handled her instrument. This is not only great to listen, but also beautiful to see. And then the visitors crowd at the concert on Saturday in the Ausnahmegitarristin track 22, before the stage to take a look at the small Power woman to catch. A whole arsenal of guitars they have it, electric and half acoustic, a ukulele and a "Hawaiian guitar, slide guitar, played lying on his lap. 
seem Technically their game no limits - she uses her guitar as a percussion instrument, tapping, plucking and strumming switches effortlessly between delicate finger-picking, harmonics and hard-edge attacks rock riffs. Since it's almost audacious nonchalance with which she gives her dexterity at its best. With a quiet smile, she plays the solo part of the show their gallop-like solos, seems at times to listen to themselves, as they would be curious to know what comes next. Kaki King play acts at any moment ready to no trace of effort. 
But in addition to the virtuoso solo-she also has another side: the rock bride, the wide-legged guitar riffs runterschreddert. Then running their small band of excellence, in particular drummer Jordan Perlson, the tilt for the skins, it is a delight. 
Here the raw side of Kaki King, the love revealed to the noise and energy. Songs like "Wrong Thing" and "Be Afraid" turn out to be true post-rock gems, shifting between quiet melancholiegetränkten intermediate parts and eruptive explosive eruptions, in which everything is blown away what is not nailed down and. A great concert that proves: Kaki King with her royal named. 
